My mixed media paintings explore dreams of paradise. Like the Post-Impressionist painter Paul Gauguin’s paintings of Tahiti, Aloha Dreams uses Hawai’i as a tropical muse to explore pattern, color, figuration, and abstraction. Beyond the gloss and allure of palm trees and plate lunch, the works in this exhibition delve into a more complicated history using images from popular culture, textile design, and my own family history as sugar cane plantation workers on the Big Island of Hawaii to focus on immigration/migration, heritage tourism, and Orientalist fantasies.
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The ideas I was muddling through in this series have since come into focus through the critique of colonial complicity offered by Asian Settler Colonialism. See Iyko Day’s 2018 “Settler Colonialism in Asian North American Representation.” Also, Gauguin was an Orientalist pedophile.